Abstract intercourses in colourful mode
is a digital painting series that navigates the fluid terrain of desire, intimacy, and corporeal memory. Composed of abstracted gestures, vibrant chromatic fields, and overlapping shapes, these visual pieces do not depict bodies in form but rather bodies in motion—bodies in dialogue. Here, haptic impulses and somatic fragments unfold across digital canvases as a continuous choreography between presence and absence, contact and retreat.
This body of work reimagines eroticism as a non-linear, reciprocal exchange—intimate yet impersonal, conscious yet subliminal. Each composition resists fixed interpretations, instead offering a sensory invitation to the viewer to engage with erotic energy not as an object, but as a dynamic process. In this space, meaning oscillates—desire is rendered not in symbols, but in vibrations, repetitions, and layers.
Your mirror is not passive—it is touched as much as it touches. These paintings aim to liberate erotic expression from the limitations of figurative representation, instead offering a chromatic topography of relationality. They engage with the erotic revolution of recent years as a deeply somatic and psychological reawakening, challenging us to reconsider how bodies communicate beyond language and how sensuality inhabits space.
"Abstract Intercourses in Colourful Mode" is ultimately an ode to the exoneration of the body. It is a celebration of fluid identities, polyphonic pleasures, and the persistent tension between proximity and distance—set within the shifting landscape of our collective erotic imagination.
Face off
The visual language clearly draws from the legacy of Kandinsky and Sonia Delaunay, particularly in the interplay of movement, color, and abstraction as expressive forces. The overlapping circular motifs and rhythmic, almost musical compositions evoke Bauhaus-era modernism, while the gradient textures and digital textures bring a contemporary and sensuous update.
There is also a strong post-digital aesthetic at play—perhaps influenced by Neo-Futurism or the New Aesthetic movement, where form and motion dissolve into playful friction. The artworks feel like snapshots of energy fields—somatic heat maps—rather than resolved scenes. This connects these works to current conversations around embodiment in digital spaces, queer digital intimacy, and the decentralization of the erotic gaze.
In a time when intimacy is being redefined through digital filters, remote touch, and post-pandemic physical negotiations, this work contributes to the discourse of post-corporeal sensuality. It speaks directly to the politics of visibility, the abstraction of identity, and the celebration of non-normative expressions of pleasure.
It aligns with contemporary explorations of:
Erotic autonomy and consent in digital relationships
Disembodied desire in a hyper-connected yet isolated world
Queer futurities where form and structure are constantly evolving
Visual Commentary and Influences
Contemporary Context
The Daisy Chain
Art Medium
Digital painting
Year & Location
Berlin
The Rocking chair
Sixty-nine
The Synchronous Friction