Electric pink… with a bit of orange
is a curatorial practice shaped by color, intuition, and spatial awareness. It operates between gallery contexts and temporary environments, approaching each exhibition as a specific moment rather than a fixed format.
The work begins with closeness to artists, to process, to the conditions in which work is made and experienced. From there, it develops through experimentation: with space, with rhythm, and with the relationships between works. Exhibitions are not treated as containers, but as evolving compositions where tension, pause, and interaction are carefully held.
Color functions as both a visual and conceptual language. It is used not to decorate, but to signal, to interrupt, and to create atmosphere. Minimal gestures, subtle shifts, and spatial decisions are central to how each project unfolds.
Electric Pink moves fluidly between contexts from structured gallery settings to more raw or temporary spaces maintaining a consistent sensibility while adapting to each environment. This flexibility allows for a curatorial approach that is both responsive and intentional.
At its core, Electric Pink is concerned with creating conditions: spaces where work can exist without over definition, where encounters remain open, and where experimentation is not only visible, but essential.
Electric bloom
LiTE-HAUS Galerie + Projektraum, Berlin
Electric Bloom explores emotional intensity through bold color, abstraction, and shifting form. Saturated palettes and layered surfaces create charged spaces where tension builds and releases.
Fragmentation becomes both structure and metaphor reflecting the complexity of identity and the rhythm of contemporary life. From rupture emerges radiance; from contrast, growth.
Across the works, color acts as both force and illumination. Each piece holds a dynamic balance between pressure and vitality where fragments ignite, expand, and bloom into new light.